红花之歌

推荐理由：《红花之歌》是一部由1919年莫里兹·斯蒂勒导演的剧情片，影片风格独特，叙事紧凑，演员表现出色，剧情引人入胜，是一部非常值得一看的电影。如果你喜欢电影中的音乐和歌曲，那么你一定会对这部电影的音乐非常满意。在120-200字的观影推荐理由中，我们强烈推荐这部电影给所有喜欢音乐和情感的观众。影片讲述了一位年轻女歌手在追求梦想过程中所经历的挫折与成长，展现了人性的光辉与坚韧。 总之，《红花之歌》是一部值得一看再看的经典影片，无论是影片风格、演员表现还是剧情亮点，都为观众带来了无比的享受。 《红花之歌》是一部非常值得一看的电影，不仅适合喜欢剧情片的观众，也适合对德国 Expression主义感兴趣的观众。

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

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